Film Screenings

At the CPA you will get the opportunity to immerse yourself in six choreographic worlds in special screenings.  

The film programme presents artistic cinematic works that are explicitly not conceived as documentaries of performances. Some of them were created during the lockdowns due to the pandemic.

19.10

13:00–21:30

Free admission

TQW Studio 1

20.10

15:00–19:30

Free admission

Festspielhaus St. Pölten

21.10

13:00–21:30

Free admission

TQW Studio 1

Claudia Bosse
BONES and STONES

D: Claudia Bosse 

AT 2023

50 min  

D: Claudia Bosse 

AT 2023

50 min  

In a shared landscape with mythological traces, hybrid bodies disintegrate in choreographies with (tangible) organic and inorganic material. Tactile encounters, poetic assemblages, violence or...

Claudia Bosse
BONES and STONES

D: Claudia Bosse 

AT 2023

50 min  

D: Claudia Bosse 

AT 2023

50 min  

Copyright picture: Markus Gradwohl

Concept, choreography, space Claudia Bosse Live sound Günther Auer Performance, choreography Marcela San Pedro, Carla Rihl, Anna Biczok, Myrthe Bokelmann, Christa Zuna Kratky, Anita Kaya Light Paul Grilj Assistance Larry Mey Outside eye Astrid Kaminski, Julia Zastava Consulting Mathias Harzhauser, Gerlinde Gruber, Barbara Imhof Communication Michael Walk Production Dagmar Tröstler Video Markus Gradwohl

A co-production of theatercombinat with Tanzquartier Wien and FFT Düsseldorf. In cooperation with museum of natural history vienna (nhm). With the kind support of the kulturabteilung der Stadt Wien and the Bundesministerium für Kunst, Kultur, öffentliche Dienst und Sport. Research-residency at Studio Plesungan, Surakarta, Indonesia.

Copyright picture: Markus Gradwohl

In a shared landscape with mythological traces, hybrid bodies disintegrate in choreographies with (tangible) organic and inorganic material. Tactile encounters, poetic assemblages, violence or kinship and processes of transformation as a community of different times. ‘BONES and STONES’ penetrates the time of our planet, reaches through its layers and sediments together with bodies of different ages. Metamorphosis, touch and memory of stones and bones. 

Concept, choreography, space Claudia Bosse Live sound Günther Auer Performance, choreography Marcela San Pedro, Carla Rihl, Anna Biczok, Myrthe Bokelmann, Christa Zuna Kratky, Anita Kaya Light Paul Grilj Assistance Larry Mey Outside eye Astrid Kaminski, Julia Zastava Consulting Mathias Harzhauser, Gerlinde Gruber, Barbara Imhof Communication Michael Walk Production Dagmar Tröstler Video Markus Gradwohl

A co-production of theatercombinat with Tanzquartier Wien and FFT Düsseldorf. In cooperation with museum of natural history vienna (nhm). With the kind support of the kulturabteilung der Stadt Wien and the Bundesministerium für Kunst, Kultur, öffentliche Dienst und Sport. Research-residency at Studio Plesungan, Surakarta, Indonesia.

Claudia Bosse is a choreographer, artist and directs theatercombinat. Her works negotiate forms of violence, history and concrete utopias. She understands her expansive choreographies as "art of a temporary community" in which she interweaves myths, rituals, texts and documents with (non-human) bodies, language, objects and choirs to create pieces. Inside and outside Europe, in museums, architectures, theaters, landscapes and urban spaces, she develops site-specific works, performances and interventions. 

https://theatercombinat.com/
Ian Kaler
GRAFTING SELF

D: Ian Kaler 

DE/AT 2022

12 min

short 

D: Ian Kaler 

DE/AT 2022

12 min

short 

‘GRAFTING SELF’ is a dreamlike coming-of-age story portraying a transmale protagonist who takes his younger self KID on a journey through the forest in the summer. Interwoven in different...

Ian Kaler
GRAFTING SELF

D: Ian Kaler 

DE/AT 2022

12 min

short 

D: Ian Kaler 

DE/AT 2022

12 min

short 

Copyright picture: Film still

Direction, Performance, Voice-over Ian Kaler Cinematography Diara Sow Camera Assistance David Schwier Video Editing Noam Gorbat Colour Grading Caio Soares Sound Design Aude Langlois Sound Assistance Elie Gregory Music Composition Hermione Frank aka rRoxymore Construction woodwork ‘The Kid’ Rebekah Wild Construction body ‚The Kid‘ Nanna Neudeck Costume Johanna Frahm Prop Assistance Beate Hennersdorf Production Assistance Ben Clark Text Coaching Jane Palmer Voice-Over Coaching Eliza Simpson Horse Shayla Horse Training Sophia Weber Production Management Martina Neu (Berlin), das Schaufenster (Vienna) Production Ian Kaler 

With the kind support of The National Performance Network – STEPPING OUT and the City of Vienna's Department for Cultural Affairs. Funded by The Federal Government Comissioner for Culture and Media within the framework of the Initiative NEUSTART KULTUR. Assistance Program for Dance. Special Thanks to Moto X Schmiede - Patrick Spingat, Lars Niemuth, Kerstin Große and Reiterhof Helenau.

Copyright picture: Film still

‘GRAFTING SELF’ is a dreamlike coming-of-age story portraying a transmale protagonist who takes his younger self KID on a journey through the forest in the summer. Interwoven in different timelines, the encounters with a horse and a motocross bike suggest a literal and metaphorical arrival of the protagonist* as a gesture to befriend one’s inner child. 

Direction, Performance, Voice-over Ian Kaler Cinematography Diara Sow Camera Assistance David Schwier Video Editing Noam Gorbat Colour Grading Caio Soares Sound Design Aude Langlois Sound Assistance Elie Gregory Music Composition Hermione Frank aka rRoxymore Construction woodwork ‘The Kid’ Rebekah Wild Construction body ‚The Kid‘ Nanna Neudeck Costume Johanna Frahm Prop Assistance Beate Hennersdorf Production Assistance Ben Clark Text Coaching Jane Palmer Voice-Over Coaching Eliza Simpson Horse Shayla Horse Training Sophia Weber Production Management Martina Neu (Berlin), das Schaufenster (Vienna) Production Ian Kaler 

With the kind support of The National Performance Network – STEPPING OUT and the City of Vienna's Department for Cultural Affairs. Funded by The Federal Government Comissioner for Culture and Media within the framework of the Initiative NEUSTART KULTUR. Assistance Program for Dance. Special Thanks to Moto X Schmiede - Patrick Spingat, Lars Niemuth, Kerstin Große and Reiterhof Helenau.

Ian Kaler is a choreographer, film maker and performer. He studied Transmedial Art at the University of Applied Arts, Vienna and graduated from the BA pilot program Contemporary Dance, Context, Choreography at the Inter-University Center for Dance, at the University of Arts, Berlin. Since 2010 he develops his physical and creative practice in choreographic series in exchange with different artists through different (visual) media. 

Some of the core-themes his work addresses center embodiment and coming of age through a trans masculine lens, the figurative composition of the still and moving body, the relationship between bodies and the space/s they inhabit, horses and other sentient beings and encounters with them. 

From 2015 - 2019 Kaler developed and toured the choreografic series o.T. as soli and duets with electronic live music by music producer Planningtorock and invited guests. Premieres at Tanzquartier Wien, ImPulsTanz and HAU Berlin were followed by international touring in Germany (ao. at Tanzplattform in Frankfurt LAB), Sweden, Colombia, Mexico, Helsinki and Romania ao. 

The group piece ON THE CUSP Ian Kaler's first choreography for 16 dancers of the Swedish Cullbergballeten premiered in January 2019 in Tanzquartier Wien and was on tour in Germany, Sweden and the Netherlands in 2019. 

In parallel Kaler has been working as choreographic director with Planningtorock on their musical show Powerhouse – the show premiered at the Berlin club Berghain in May 2019. 

Recent collaborations with electronic music producer rRoxymore and editor Dafne Narvaez Berlfein, as well as set designer Stephanie Rauch include stage and video-versions of POINTS OF DEPARTURE (2021) and SENTIENT BEINGS (2022). 

His first narrative short GRAFTING SELF premiered at BFI Flare LGBTQIA+ Film Festival at the British Film Institute at Southbank London in March 2023 and is screening at Rio LGBTQIA+ Festival Internacional de Cinema in Brazil in July 2023. 

2023 Kaler works on a series of narrative short films further exploring movement and embodiment in visual storytelling and dramatic structures. In a residency in Vienna in October 2023 he will present and contextualize new video-works looking at applications of contemporary dance and choreography in visual media. 

http://www.iankaler.org/
Costas Kekis
Bounce

D: Costas Kekis 

AT 2021

21 min 

D: Costas Kekis 

AT 2021

21 min 

Emotional resilience describes the ability of a person or group to recover from a traumatic experience and later thrive. In ‘Bounce’ the individuals explore sensorial responses to effect...

Costas Kekis
Bounce

D: Costas Kekis 

AT 2021

21 min 

D: Costas Kekis 

AT 2021

21 min 

Copyright Foto: Valentin Fuchs

Choreography Costas Kekis Created with and performed by Mzamo Nondlwana, Asher O’Gorman, mirabella paidamwoyo dziruni, Daniel Nasr, Marcio Kerber Canabarro Stage and Costumes Panagis Marketos Sound Tanja Fuchs aka Abu Gabi Feedback Chris Standfest Production Taystee Tears Production assistant Almud Krejza 

A co-production by Costas Kekis and brut Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs. Supported by Im_flieger. Special thanks to Walter Bauer. 

Copyright Foto: Valentin Fuchs

Emotional resilience describes the ability of a person or group to recover from a traumatic experience and later thrive. In ‘Bounce’ the individuals explore sensorial responses to effect emotional states and develop tools and systems of endurance. Inside emotional spaces of uncertainty and pressure, the performers rely on their own senses to seek for relations of support, care and empowerment. The film consists of edited materials drawn from the live performance. 

‘Bounce’ is an embodied and embedded process towards an ecology of perception, the way the activity of senses functions to bind separate nervous systems into the encompassing environment with the goal to bounce back. 

Choreography Costas Kekis Created with and performed by Mzamo Nondlwana, Asher O’Gorman, mirabella paidamwoyo dziruni, Daniel Nasr, Marcio Kerber Canabarro Stage and Costumes Panagis Marketos Sound Tanja Fuchs aka Abu Gabi Feedback Chris Standfest Production Taystee Tears Production assistant Almud Krejza 

A co-production by Costas Kekis and brut Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs. Supported by Im_flieger. Special thanks to Walter Bauer. 

Costas Kekis began dancing as a kid in his family's living room in Athens before launching his professional journey as performer and choreographer. His works were shown among others at Ostertanztage Salzburg, Altera Pars Theater (Athens), 100 Grad Festival Berlin, Improspekcije (Zagreb) and in Vienna at brut, Raw Matters, TQW, WUK and ImPulsTanz. He has coordinated the Creative Crossroads meeting at Impulstanz (2021, 2022) and at the moment he is working as an outside eye for Katerina Andreou while simultaneously preparing his new work, L04D, to premiere in November at brut Wien. 

https://costaskekis.com/
Linda Samaraweerová/Robert Jíša
Durst – A performative opera in six frequencies

D: Linda Samaraweerová / Robert Jíša 

CZ 2022

100 min 

D: Linda Samaraweerová / Robert Jíša 

CZ 2022

100 min 

Based on the Tibetan Bön teachings about lucid sleep, ‘Durst' is a musical journey through six states of consciousness that are evoked by special frequencies. In ‘Durst', the fatal way in...

Linda Samaraweerová/Robert Jíša
Durst – A performative opera in six frequencies

D: Linda Samaraweerová / Robert Jíša 

CZ 2022

100 min 

D: Linda Samaraweerová / Robert Jíša 

CZ 2022

100 min 

Copyright picture: Judith Stehlik

Concept, choreography, direction, performance Linda Samaraweerová Composition Robert Jíša Video installation, dramaturgy, assistant director Laura Samaraweerová Libretto Elke Laznia Performance, choreography Ondine Cloez Dance and design of the dance solo Verena Herterich Singers Andre Angenendt, Liia Krasilovskaia, Jean-Max Lattemann, Maria Mysachenko, Denise Seyhan, Johanna Zachhuber Orchestra Musica Florea Stage design, costumes Violetta Ehnsperg, Karl Karner Light design Victor Duran Camera, photography, visual concept Judith Stehlik Artistic consultation, mediating texts Conny Offergeld English translation Hannah Laznia 

A production by KASAL in co-produced by Tanzquartier Wien. With kind support from the City of Vienna's Department for Cultural Affairs and the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sports. Thanks to Huggy Bears.

Copyright picture: Judith Stehlik

Based on the Tibetan Bön teachings about lucid sleep, ‘Durst' is a musical journey through six states of consciousness that are evoked by special frequencies. In ‘Durst', the fatal way in which a society deals with the dark sides of its affects and the associated cognitive control compulsions can be experienced as a mechanism of our time. At the same time, the piece is an aesthetic transdisciplinary experiment for six singers, two performers and an artistic scenography.

Judith Stehlik is based in Vienna works as a photographer and cinematographer. Her focus is on the approximation of the representation of the non-visible and the atmospheric. Her artistic work is based on analog photography and film. She workes closely with Linda Samaraweerova since 2014. In this collaboration they developed art videos that were shown among others at steirischer herbst, KM - Künstlerhaus, Donaufestival, Tanzquartier Wien, Dvorakova Olomouc, eindorf, Feldbach, KS Room.

Concept, choreography, direction, performance Linda Samaraweerová Composition Robert Jíša Video installation, dramaturgy, assistant director Laura Samaraweerová Libretto Elke Laznia Performance, choreography Ondine Cloez Dance and design of the dance solo Verena Herterich Singers Andre Angenendt, Liia Krasilovskaia, Jean-Max Lattemann, Maria Mysachenko, Denise Seyhan, Johanna Zachhuber Orchestra Musica Florea Stage design, costumes Violetta Ehnsperg, Karl Karner Light design Victor Duran Camera, photography, visual concept Judith Stehlik Artistic consultation, mediating texts Conny Offergeld English translation Hannah Laznia 

A production by KASAL in co-produced by Tanzquartier Wien. With kind support from the City of Vienna's Department for Cultural Affairs and the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sports. Thanks to Huggy Bears.

Linda Samaraweerová is a choreographer and performer. She studied at the dance and performance academy P.A.R.T.S in Belgium. At the moment, her research focuses on cultural practices that involve mind expansion. Since 2009, her projects have been shown regularly at the Tanzquartier Wien, other performance venues have included steirischer herbst, brut Wien, ImPulsTanz, donaufestival, LENTOS Museum Linz, Neue Galerie Graz, KM – Künstlerhaus, Halle für Kunst und Medien. Abroad, her projects have been presented in France, the Czech Republic, Romania, Italy, Sri Lanka, Azerbaijan, Georgia, Germany and Switzerland. 

karner-samara.com

Robert Jíša studied under Kenneth Greenhouse at Berklee College of Music. He works internationally as a composer and lives in the Czech Republic. He has received several awards for his film scores, including his symphonic composition ‘The Illumination Voices’. His influences include Giacinto Scelsi, Henryk Górecki, Krzysztof Penderecki, Bohuslav Martinů, Brian Eno. He has been collaborating with Austrian choreographer Linda Samaraweerová since 2014. Together they have presented their work at various cultural institutions and festivals in Austria, including steirischer herbst, donaufestival and Tanzquartier Wien. 

robertjisa.com

Oleg Soulimenko & Jasmin Hoffer
BEAUTY OF MESS, TRASH AND UNKNOWN DESIRES

D: Oleg Soulimenko & Jasmin Hoffer 

AT 2021

40 min

D: Oleg Soulimenko & Jasmin Hoffer 

AT 2021

40 min

The performance deals with the entanglements of human bodies and objects and the vitality of matter. Jasmin Hoffer and Oleg Soulimenko break out of the mundane approach to things. Everything can...

Oleg Soulimenko & Jasmin Hoffer
BEAUTY OF MESS, TRASH AND UNKNOWN DESIRES

D: Oleg Soulimenko & Jasmin Hoffer 

AT 2021

40 min

D: Oleg Soulimenko & Jasmin Hoffer 

AT 2021

40 min

Copyright picture: Erli Grünzweil

Concept, choreography, set and performance Jasmin Hoffer and Oleg Soulimenko Guest performance Marta Navaridas Artistic consultation, stage design, camera and video editing Alfredo Barsuglia Artistic advice Claudia Bosse Sound advice, camera Samuel Schaab Costume Larissa Kramarek, Nina Samadi  

A co-production by Vienna Magic and brut Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs. 

Copyright picture: Erli Grünzweil

The performance deals with the entanglements of human bodies and objects and the vitality of matter. Jasmin Hoffer and Oleg Soulimenko break out of the mundane approach to things. Everything can become material and is constantly subject to change. Some things are fished from the trash, some are factory-fresh and others stem from the body as such. The performers build manifold relationships to these objects, sometimes distant, sometimes intimate – they perceive them not just as functional and subordinate, but as subjects themselves. They experiment with causalities, create rituals, put the objects in order and fantasise about a future in which the things we will leave behind will provide knowledge about what may have been the meaning of the human species. “With great seriousness and in peaceful neighbourhood they work on a poetry, which things seem to whisper to them. … An excellent work from the lockdown-shaken free scene." (Helmut Ploebst, Der Standard) 

Concept, choreography, set and performance Jasmin Hoffer and Oleg Soulimenko Guest performance Marta Navaridas Artistic consultation, stage design, camera and video editing Alfredo Barsuglia Artistic advice Claudia Bosse Sound advice, camera Samuel Schaab Costume Larissa Kramarek, Nina Samadi  

A co-production by Vienna Magic and brut Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs. 

Jasmin Hoffer and Oleg Soulimenko have been working together for a couple of years, creating performances in which they examine potential relationships between the human body and other forms of matter. Jasmin Hoffer is a dancer, choreographer and performance artist. Oleg Soulimenko is a performance artist and choreographer. They both live and work in Vienna, and their individual and collaborative performances have been presented at a variety of venues all over the world.
Most recent projects: ‘THE FEELING OF HOME’ (2023) Residenz Schauspiel Leipzig, ‘SLEEPING DUTY’ (2022) Tanzquartier Wien, ‘BEAUTY OF MESS, TRASH AND UNKNOWN DESIRES’ (2022) Rimi/Imir Stavanger, ‘ORIGINS’ (2020) Tanzquartier Wien, ‘IMMORTALITY DAY’ (2021), ‘SWIMMING POOL’ (2018) and ‘LOSS’ (2018) brut Wien.

Jasmin will premiere her solo ‘SHE DOES DOUGH, DOUGH DOES HER’ in January 2024 in brut Wien and Oleg will choreograph the Tanzquartier’s dance group PARASOL in fall 2023.

19.10

20:00–23:59

20.10

00:00–23:59

21.10

00:00–22:00

Free admission

Der Betrieb

Alexander Gottfarb
Encounters #1

D: Alexander Gottfarb 

AT 2020

50 h

video installation

D: Alexander Gottfarb 

AT 2020

50 h

video installation

During a lockdown in December 2020 this 50 hour durational dance performance was live-streamed from the Ottakringer brewery in the 16th district of Vienna via the TQW website. People from all over...

Alexander Gottfarb
Encounters #1

D: Alexander Gottfarb 

AT 2020

50 h

video installation

D: Alexander Gottfarb 

AT 2020

50 h

video installation

Concept, production development Alexander Gottfarb  Choreography, performance Esther Balfe, Alex Deutinger, Soraya Emery, Alexander Gottfarb, Katharina Illnar, Nanina Kotlowsky, Martyna Lorenc, Raúl Maia, Anna Maria Nowak, Patric Redl, Charlotta Ruth  Dramaturgy Guy Cools  Music Sophie Augot, Guenther Berger, Alexander Gottfarb, Raúl Maia, Stephan Sperlich  Composition Guenther Berger, Stephan Sperlich  Costume design Karin Pauer  Video direction & camera Ulrich A. Reiterer  Additional camera Fabian Czernovsky and Patrick Topitschnig  Production mollusca productions  Administrative support Smart Austria  

A co-production by Archipelago and Tanzquartier Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs, the Austrian Federal Ministry of Art, Culture, Civil Service and Sports and Arbeitsplatz Wien. 

Copyright picture: Kati Gottfried

During a lockdown in December 2020 this 50 hour durational dance performance was live-streamed from the Ottakringer brewery in the 16th district of Vienna via the TQW website. People from all over the world tuned into the stream and let this “slow-TV” dance, accompany them throughout the weekend. ‘Encounters #1’ is the first part in a series placing Gottfarb’s performance practice in different spaces related to work. The ‘Encounters’ series highlight and make visible the fact that dancing is also a form of highly skilled and physically demanding labour. It continues Gottfarb’s artistic (and non-artistic) questioning of the relationship between choreography, art making and society. 

Concept, production development Alexander Gottfarb  Choreography, performance Esther Balfe, Alex Deutinger, Soraya Emery, Alexander Gottfarb, Katharina Illnar, Nanina Kotlowsky, Martyna Lorenc, Raúl Maia, Anna Maria Nowak, Patric Redl, Charlotta Ruth  Dramaturgy Guy Cools  Music Sophie Augot, Guenther Berger, Alexander Gottfarb, Raúl Maia, Stephan Sperlich  Composition Guenther Berger, Stephan Sperlich  Costume design Karin Pauer  Video direction & camera Ulrich A. Reiterer  Additional camera Fabian Czernovsky and Patrick Topitschnig  Production mollusca productions  Administrative support Smart Austria  

A co-production by Archipelago and Tanzquartier Wien. With the kind support of the City of Vienna’s Department of Cultural Affairs, the Austrian Federal Ministry of Art, Culture, Civil Service and Sports and Arbeitsplatz Wien. 

Copyright picture: Kati Gottfried

Alexander Gottfarb is a dancer and choreographer originally from Sweden based in Vienna. Together with his long-time collaborators he creates long-durational dance performances most often placed in spaces that are not theatres. His practice is based on repetition and transformation and allows the practitioners to make their own choreographic decisions. With his performances he investigates notions such as democracy, ritual and work.